It’s easy to arrive at the conclusion, listening to a lengthy back catalogue that finds him releasing the 20th album under the Six Organs of Admittance moniker.
But he’s also very much someone who refuses to be pigeon-holed, as the industry was clearly attempting to do at the time, amid the burgeoning freak folk scene.
But Chasny and Six Organs continue to break new ground, drawing on a wide range of influences, from the industrial bands of his youth to the hexadic card system he developed for composing music.
